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"For
his production of Gloria, Paro chose a much promising young
actress Mira Furlan who represents that rare and valuable
combination of impeccable technique and sincere emotions."
NIN, Belgrade, 1980 (Dubrovnik Theater Festival)
- "Mira
Furlan as Ophelia in Menzel's Hamlet was the absolute star
of the last night's premiere."
Delo, Ljubljana - Politika Expres, Belgrade, 1982
- "The
delicate and emotional portrait of a woman who dares confront
the tradition and customs in order to liberate herself was
delivered by the extraordinary Mira Furlan who was last seen
in When Father Was Away On Business."
Premiere, France 1987(Beauty of Vice)
- "Two
films were the launching pad to an outstanding series of 18
features which make up the first stage in the brilliant career
of this highly educated and acknowledged stage actress : When
Father Was Away On Business and Beauty of Vice. Mira Furlan
is a Yugoslav superstar."
Film and Video, Austria, 1987
- "Mira
Furlan, Yugoslavia's Number One actress, is known internationally
for her role in the winner of the 1985 Golden Palm at Cannes,
When Father Was Away On Business. In 1986, she received the
highest Yugoslav screen award - the Golden Arena - at the
annual National Film Festival in Pula for her creation in
the film Beauty of Vice."
Le Soir, Belgium, 1988
- "Much
of the charm of the film has comes from Furlan, its leading
lady, rising star of Yugoslav cinema and one of its most versatile
players."
Variety, USA, August 10, 1988
Pula Film Festival, The Beauty of Vice
- "The
secret in her success - it seems - is her extraordinary versatility
and the ability to participate with equal proficiency in tragedies
as well as comedies, in classic as well as avant garde theater.
In addition, she has been blessed with a powerful voice which
she controls with facinating mastery. She exhibits an authentic
charm and vigor that are reminiscent of some American actresses
such as Meryl Streep and Jessica Lange."
Vikend, Zagreb, 1988
- "By
and large, the success of Ansky's Dybbuk is the direct result
of the fine acting of Mira Furlan. Thanks to her unique presence
and unusual face - where beauty encounters spirituality, sensuality
blends with sadness, and tranquility with passion - she managed
to breathe life into the character of Lea"
NIN, Belgrade, 1989
- "However,
we must admit that the most brilliant interpretation in Shaw's
Devil's Disciple was that of Mira Furlan. The Primadonna of
the Croatian National Theater has made a come-back to her
home theater as Judith Anderson, a sentimental and chaste
soul who cannot resist the temptations of the devil of love"
Studio, Zagreb, 1989
- "As
Natalya Petrovna in Turgenev's A Month in The Country, Mira
Furlan, a true champion of theater, manages to convey the
many stages of the complex process of falling in love and
correlated growth of the moral pressures with facinating meticulousness
and attention to detail."
Start, Zagreb, 1990
- "The
memorable creation of Mira Furlan is the warrant of this play's
success in the future. In her role of Natalya Petrovna, Mira
Furlan expressed all the internal conflicts and traumas of
a woman who happens to love the wrong man. She managed to
present the full spectrum of psychological states - from resignation
to frustration and despair; her performance was well worthy
of an actress who is the pillar of our national theater's
repertoire."
Vecernji List, Zagreb, 1990
- "Tanya
Savinich is an imperious witch in Mira Furlan's fine realization
of the role... It
would be easier to laugh at Tanya throughout if Ms. Furlan
did not so successfully let one sense in her the presence
of an emerging tragic character."
New York Times 1999 (Cranes)
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